For example, you could assign Player track levels, transport controls, reverb times and send amounts to faders and knobs on your controller keyboard. The Controls view has macros that allow you to map parameters to a hardware controller for speedy access during a show. Each track can have its own effects, which can be saved together as a patch per song, which means that during live performance you can quickly perform patch changes of effects and virtual instruments. They are divided into three types: real instruments, backing tracks and virtual instruments. To the right is the Players list, which catalogues each input track used in your song. This section displays the playback mode, and the song’s start position on the timeline, as well as length and time and key signatures. Below the setlist is a configuration section that’s unique to each song. The Show Page begins with an overview, with a Setlist on the left, from which you’re able to add, delete, modify and rearrange song titles. One of the biggest additions in Studio One 5, however, is the new Show Page, which gives users of both versions a live-performance feature.

Each has unique functions: the Start Page is for configuring system settings for audio interfaces and artist profile settings, as well as managing your song and projects list the Song Page is where all recording and production work takes place and the Project Page is for mastering final mixes. Studio One Professional still features its three main pages: the Start Page, Song Page and Project Page (not available in Studio One Artist). Whether you’re opening the lighter Artist version or the all-bells-and-whistles Professional edition, it’s apparent straight away that the traditional Studio One layout remains largely unchanged.

Ripe with new features, workflow upgrades and cosmetic tweaks, Studio One 5 has people buzzing about new improvements destined to make this DAW even more attractive to producers and performers across the globe. Ever since, the DAW’s growing user-base has been itching for an update. That, however, was a whole five years ago. Our positive time with Studio One 4 saw it become a staple for this writer and, in recent years, we’ve heard about many others adopting it into all manner of studios, from home to pro-level setups. Back in 2015, when we reviewed PreSonus’s Studio One 4, we had known for some time what many others have learnt since: Studio One is a powerful DAW.

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